Donner Music is your best buddy for learning to play music. The app helps you to learn your musical instrument quickly with free HD videos and important tools, like a metronome, a tuner and a music library. You can learn to play the acoustic or electric guitar, the three-string guitar, the digital piano, and an expanding roster of musical instruments. The lessons are taught by experts. Donner Music will help you learn quickly and with the best possible technique.

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From punchy basslines to screaming leads and lush ambient textures. Now, Donner brings that legendary tone into the modern era with the Essential L1, a compact yet powerful monophonic synth designed for musicians, producers, and sound designers who demand both vintage character and contemporary flexibility. Legendary Sound, Modern Approach At the heart of the Essential L1 lies a fully analog signal path, built around the iconic 3340 voltage-controlled oscillator (VCO), delivering rich waveforms—sub-octave squares, pulses, sawtooth, and triangle waves—with unmistakable warmth. Paired with the 3109 voltage-controlled filter (VCF) (capable of self-oscillation) and a high-performance 662 VCA, the L1 faithfully recreates the gritty, dynamic response of classic synths while offering modern enhancements. Key Sound Features: ✔ 3340 VCO – 16'/8'/4'/2' range with PWM modulation✔ 3109 VCF – Smooth, resonant low-pass filtering with keyboard tracking✔ Dual ADSR envelopes – Velocity-sensitive & retriggerable for expressive control✔ Syncable LFO – Goes into audio rate for extreme modulation✔ DRONE mode – Transform the L1 into a soundscape generator or external FX processor Snap2Connect (S2C) – The Future of Synth Connectivity Tired of cable clutter? The Essential L1 introduces Snap2Connect (S2C), a magnetic docking system that lets you instantly pair it with compatible keyboards—no cables required. Whether you prefer a compact desktop module or a full-performance keyboard setup, S2C makes switching effortless. ✔ Magnetic, tool-free attachment – Securely docks with supported controllers✔ Expandable ecosystem – Connect the KB-32M keyboard (sold separately) for a complete playing experience✔ No more "desktop vs. keyboard" dilemma – Redefine your workflow in seconds Designed for Creativity, Not Menu Diving We believe synths should be immediate and inspiring, not buried in submenus. The Essential L1 keeps critical controls on the front panel, with a clear OLED display for real-time feedback. Performance & Sequencing Power ✔ 64-step sequencer – Store 128 patterns, chain 4 sequences per song✔ 5-mode arpeggiator – Down, Up, Down/Up, Up/Down, Random (with 1/2/3-octave ranges)✔ Trigger Edit – Create custom rhythmic patterns beyond standard arpeggiation Ready for Any Setup – Studio, Stage, or Modular The Essential L1 is built for maximum connectivity: CV/GATE & SYNC I/O – Integrate with modular systems MIDI I/O (Type-A) & USB-C – DAW & controller compatibility EXT. IN – Process external audio through the 3109 filter Hold pedal input & headphone out – Play anywhere, anytime Compact, Portable, Powerful Weighing just 858g (1.89 lbs) and standing only 30mm tall, the Essential L1 is built for musicians on the move. Whether you're crafting beats at home, performing live, or experimenting with modular setups, this synth delivers pro-level sound in a travel-friendly package. The Donner Essential L1 – Where Classic Tone Meets Modern Workflow Available now. Are you ready to create?

From punchy basslines to screaming leads and lush ambient textures. Now, Donner brings that legendary tone into the modern era with the Essential L1, a compact yet powerful monophonic synth designed for musicians, producers, and sound designers who demand both vintage character and contemporary flexibility.
<h2>Legendary Sound, Modern Approach</h2>
At the heart of the Essential L1 lies a fully analog signal path, built around the iconic 3340 voltage-controlled oscillator (VCO), delivering rich waveforms—sub-octave squares, pulses, sawtooth, and triangle waves—with unmistakable warmth. Paired with the 3109 voltage-controlled filter (VCF) (capable of self-oscillation) and a high-performance 662 VCA, the L1 faithfully recreates the gritty, dynamic response of classic synths while offering modern enhancements.
<img src="https://cdn.shopify.com/s/files/1/0612/1452/3530/files/10000.jpg?v=1752913222" alt="">
<h3>Key Sound Features:</h3>
✔ 3340 VCO – 16'/8'/4'/2' range with PWM modulation ✔ 3109 VCF – Smooth, resonant low-pass filtering with keyboard tracking ✔ Dual ADSR envelopes – Velocity-sensitive &amp; retriggerable for expressive control ✔ Syncable LFO – Goes into audio rate for extreme modulation ✔ DRONE mode – Transform the L1 into a soundscape generator or external FX processor
<hr>
<h2>Snap2Connect (S2C) – The Future of Synth Connectivity</h2>
Tired of cable clutter? The Essential L1 introduces Snap2Connect (S2C), a magnetic docking system that lets you instantly pair it with compatible keyboards—no cables required. Whether you prefer a compact desktop module or a full-performance keyboard setup, S2C makes switching effortless.
✔ Magnetic, tool-free attachment – Securely docks with supported controllers ✔ Expandable ecosystem – Connect the KB-32M keyboard (sold separately) for a complete playing experience ✔ No more "desktop vs. keyboard" dilemma – Redefine your workflow in seconds
<hr>
<h2><img src="https://cdn.shopify.com/s/files/1/0612/1452/3530/files/8_3d2b7883-73a8-4410-929a-7a02d9589da0.jpg?v=1752913699" alt=""></h2>
<h2>Designed for Creativity, Not Menu Diving</h2>
We believe synths should be immediate and inspiring, not buried in submenus. The Essential L1 keeps critical controls on the front panel, with a clear OLED display for real-time feedback.
<h3>Performance &amp; Sequencing Power</h3>
✔ 64-step sequencer – Store 128 patterns, chain 4 sequences per song ✔ 5-mode arpeggiator – Down, Up, Down/Up, Up/Down, Random (with 1/2/3-octave ranges) ✔ Trigger Edit – Create custom rhythmic patterns beyond standard arpeggiation
<hr>
<h2><img src="https://cdn.shopify.com/s/files/1/0612/1452/3530/files/4_b456a720-b9fd-4168-b369-5ee4b43e9a9a.jpg?v=1752913922" alt=""></h2>
<h2>Ready for Any Setup – Studio, Stage, or Modular</h2>
The Essential L1 is built for maximum connectivity:
<ul>
<li>
CV/GATE &amp; SYNC I/O – Integrate with modular systems
</li>
<li>
MIDI I/O (Type-A) &amp; USB-C – DAW &amp; controller compatibility
</li>
<li>
EXT. IN – Process external audio through the 3109 filter
</li>
<li>
Hold pedal input &amp; headphone out – Play anywhere, anytime
</li>
</ul>
<hr>
<h2>Compact, Portable, Powerful</h2>
Weighing just 858g (1.89 lbs) and standing only 30mm tall, the Essential L1 is built for musicians on the move. Whether you're crafting beats at home, performing live, or experimenting with modular setups, this synth delivers pro-level sound in a travel-friendly package.
<hr>
<h3>The Donner Essential L1 – Where Classic Tone Meets Modern Workflow</h3>
Available now. Are you ready to create?

Introducing the Donner Essential L1: Reimagining the Classic Analog Synth

Yas Nomura is a Japanese guitarist based in Los Angeles, who made the leap to United States at the age of 19. Unlike his mother, who was a painter, and his father, who has a passion for singing, Yas charted his own artistic course as a guitarist. After graduating from MI in 2014, Yas embark on his professional career. Yas played guitar and bass in the progressive rock duo The Resonance Project with Lang Zhao. Currently he has toured as a guitarist with HYDE in Japan and the US, Yas is also the bassist of the progressive metal group Whom Gods Destroy. Early in 2024, Yas collaborated with Donner for the first time at the NAMM Show, where he stole the Donner stage shredding like exorcising demons. He then returned to Japan for a tour with HYDE in June. During his stay in Asia, Donner invited Yas to Guangzhou, China, to film a demonstration video for its new electric guitar, DST-700. Yas had visited China twice before, but this time was different. This time, Guangzhou had a glint in its eyes—a promise of suffocating heat, crazy midnight cuisine, and the kind of humidity that clings to your skin like a desperate lover. It was a new experience for him. And in return, Yas offered a brand-new song he had specifically written for this trip. At Mielody Studio, we had the opportunity to sit down with Yas and discuss his thoughts on metal and rock music, his approach to guitar and bass performances, and some invaluable tips on practicing. ‘I really like the Triple Threat. Donner Circle Looper is great too.’ All About Gear Donner: It’s our honor to have you here. I noticed that it’s not your first time to travel to China. How has your trip been so far? Yas: It's been great. You guys are feeding me very well. I've been getting every meal. I skipped lunch today because I want to go full tonight for dinner. I love the food here. Donner: What song did you play just now? Yas: I wanted to write a song for this video and I just wrote it last week. I haven't named it yet. Any suggestions? I take any suggestions for the song. Donner: It’s quite sophisticated and it’s great! Yas: Thanks. Appreciate it. It's hard. I made it a bit too hard. It's a problem, always a problem. Donner: Where do you get your musical inspiration for the song? Why did you want to write this in the very beginning? Yas: I wanted to write an Étude-ish song with which people can practice with a bit of challenge, but I'm trying to make it melodic and musical at them same time. I don't know if it counts as a motive. I was gonna write a song both for this video and my future release. I don't want to write a song just for the video. I want to write something that I actually want to release, otherwise there’s no point. Donner: What gear did you choose for the song? Yas: I used the Triple Threat I demoed about six months ago, and the Blue Drive as a booster, which I tried for the first time yesterday. I used the distortion this time. It also features a phaser and a delay, all of which I demonstrated in a YouTube video recently. There are the chorus, a delay, a reverb and the looper. I didn't use them today but I’ll use them for the master class tomorrow. Donner: You’re one of the very first people to use the Triple Threat. How was it? Yas: It's great! It's light, compact and has a good tone. I like the distortion a lot. It has an interesting combination because the big chorus is usually more popular than the phaser. But I like the choice. It makes Triple Threat different and it’s super reasonable. Donner: Could you tell us about the guitar, DST-700? Yas: It feels great. I considered using two humbuckers in the very beginning. After testing two guitars, I found that it fits the song better. It stands out among the SHH pickup configurations I’ve used. It delivers a good tone. I really like the neck. It fits the hand. It has a locking tuner pack. Donner: How did these setups contribute to your playing? Yas: I didn't do much aside from some EQ. It’s important to have a guitar with a good setup since the song is pretty hard. If it has a huge neck, I can't really use it for songs like this. It might be alright for blues or simpler genres, but personally, it's important to have an easy-to-play guitar with good tones. I always try to avoid too much distortion or gain. I did use both on the Triple Threat and the Blue Drive, but I kept the gain relatively low, around 10 o'clock to make the sound fuller. Donner: You’ve been testing various Donner’s products, including the Triple Threat, the DST series and the Hush series. Which one is your favourite? Yas: I really like the Triple Threat. This looper (Donner Circle Looper) is great too. Donner: You didn’t seem to use this looper at NAMM. Yas: No, I didn’t. I planned to use it but ended up hiring the band. You can save about 99 loops in the pedal. Record them, bring them back and play at any time. There’s a drum machine in this pedal, so you can play the beat and then play over it. Of course, you can dub the loops by adding more sounds to the loop you made. If you're into loopers, it’s perfect to create your music with it. Editor's Note: Donner Circle Looper won the Editor's Choice Gold Award in Guitar World Magazine August 2022 . ‘One of the great things about playing bass in a band is losing the sense of yourself in the music. You’re playing the music.’ Navigating Between Guitarist And Bassist Donner: You’re both a bassist and a guitarist. Which one would you say defines you more? Yas: I'm definitely more of a guitarist because it was my first instrument and I’ve been playing it for years. I started playing guitar at 14. When I was in music high school, a bass player friend let me borrow his bass, a super beginner one. I didn’t play it much but I liked it a lot. Later I moved to L. A and I set bass aside for a while. I've always admired bassists, especially fusion artists, like Gary Willis, Jimmy Johnson and Adrian Farrell. I kind of wanted to stop to play bass. My bass player friends let me play their bass. I decided to have my own. That was the start. I bought my first bass in 2014, before my graduation from MI. It's been over 10 years. I love playing bass but I guess guitar is more of my thing. Donner: Do you approach them with different mindsets? Yas: I play them with quite different mindsets. You can play guitar or bass solo, but I came from a metal and rock background where guitar solos are more common. When you play guitar, it sounds like in the front, right in your face. Bass, on the other hand, often sits in the back, especially in metal and rock, supporting the whole band. Many people don't even know what bass is, which is pretty messed up. It’s a fact. But if the bass player screws up, it can throw off the entire song and band. One of the great things about playing bass in a band is losing the sense of yourself in the music. You’re playing the music. When you're truly locked in, you’re playing everything on the bass. I don't get this feeling on guitar. Playing guitar feels like playing on top of the drummer and the bass player. With bass, you control the groove and the harmony. If the bass changes, everything changes. That's what I find fascinating about bass. I love playing guitar myself and playing bass in a band. You’ll have one of the best things ever if you’re the bassist in a good band. ‘Listen to yourself, make sure your hands are synchronous, and try to make the cleanest tone possible.’ Tips On Guitar Practice Donner: How do you usually arrange your practice? Yas: I don't have a routine anymore. I used to focus on finger exercises, especially on chromatic ones. I could play it right now if you want me to. These are the most basic chromatic exercises, but the important thing is: you listen to yourself. Try to make the cleanest tone. If your hands are not synchronized, which means that you pick the note like this (playing) or you fret the note on the left hand, it's not gonna sound clean (playing). You make sure both hands are synced (playing), and then it's clean (playing). I did more than the basic ones, but here’s the key: listen to yourself, make sure your hands are synchronous, and try to make the cleanest tone possible. You shouldn't play fast if it's not the case. You have to play slow enough to make your sound clean. That's a piece of advice I could give to the future musicians or guitar players. Donner: What techniques do you think a guitarist must master? Yas: You don't have to play fast, but you need to be able to play you what you want to play. Speed is not your goal, expression is. It explains why some musicians need insane chops - speed is part of the expression. Shreddy lines can enhance music when done right, but playing random notes fast without even cleanness makes no sense. Timing and touch are the most important. Fast playing without proper timing or rhythm sounds off. Good touch comes with good timing. It’s hard to explain what’s a good touch but you’ll figure it out after listening to various great players. The priority is to make everything clean though. It also applies to the timing. At first, you need to play to a metronome and make it consistent. It's impossible to explain everything here, but these are the foundations. ‘Then there came Dream Theater, which blew my mind.The concept is so deep, like the progressive music, way ahead of their time.’ Develop Unique Guitar Style Donner: How do you make your playing or improvisations unique and make the audience recognise you? Yas: I don't even know if people can recognise me. I'm just playing it. I can recognise other musicians with striking features. But I think when I recognise, for example, John Petrucci and Mateus Asato. It's the mixture of touch, tone, lines and even composition that tells musicians apart. The touch is a combination of the voice, the phrasing, the punctuation, etc. You may have to change your touch based on the tone to achieve the best sound. For instance, if you're using heavy distortion, a light touch might not work well, and vice versa. The relationship between touch and tone is complex but fascinating. In addition, some artists have instantly recognisable lines, like Steven Toronto and my friend Colin Cook. It's hard to develop your own distinctive lines though. For me, touch, tone, and lines are the primary factors. Feel and timing are integral components of touch. Donner: I know you are into different genres of music, including progressive work and fusion. Which genre of music or artist has influenced you the most? Yas: Dream Theater and the fusion artists. Dream Theater has probably been my biggest influence. I listened to a lot of 80s bands like Rockman Extreme, Whitesnake, Def Leppard, Van Halen, and Metallica before discovering it. I was also drawn to melodic death metal bands such as Arch Enemy and Children of Bodom. Then there came Dream Theater, which blew my mind. The concept is so deep, like the progressive music, way ahead of their time. Back in the days when I was in high school, I thought progressive music in general was crazy. You need to have a deep understanding of music to create it. Dream Theater has its movie-soundtrack-alike metal. I always liked the orchestra or film scores, but I didn’t realise Dream Theater was super dramatic and technical. When you're a teenager, of course, you want to work on it. Then I started to listen to fusion musicians like Pat Metheny and Holdsworth. Donner: Dream Theater’s releasing a new album? Yas: yes, Mike Portnoy is back. I'm super excited. I know it's crazy. Donner: What are you looking for when you listen to their music? Yas: When I listened to the music, I didn’t try to think about anything. Just take it and feel it. As I grew older and learned more about music, I began to analyze chords, corporations, and riffs more. I pay attention to the melody when there's a singer in the band. The vocals and the melody are the song. Lately, I've been focused on what makes a great melody, which I find personally challenging. It's easier for me to write riffs, but a good melody is much more elusive. Sometimes what I think is good doesn’t resonate with others, and vice versa. I take it as a challenge. I want to master good melodies, but it's hard and I haven’t sorted it out. I’ve found some theories like motifs in the melody, but they’re not applicable in every case. Music is interesting. 'I embrace different cultures because it opens my mind. Music works in the same way. I’ve learned a lot from the talented people I worked with. I want to take everything for my own music, but I love playing for others as well.' Collaboration and Compromise In Clash Of Ideas Donner: What are the differences between playing solo and accompanying others? How do you like them? Yas: When I play solo, I focus on what I personally find compelling or enjoyable. I try to keep it melodic and musical at the same time because a bunch of inharmonious notes simply don’t work. There’s the balance: I'm trying to create MUSIC that satisfies ME. In the band, I’ll compromise with my bandmates to ensure everyone is happy with the music. When I play for other artists, they’re the boss. I may give suggestions, but they make decisions. I'm not offended if they don't take my suggestions - it's part of my job to offer suggestions since I've been doing music all the time. I want to point out the problem or put forward my ideas. It’s my music, not necessarily liked by others, so I usually follow them. Some people don’t like such collaborations, but I see it as an opportunity to learn from other artists. They bring different perspectives, influenced by diverse genres, backgrounds, and cultures. What may not work in Japan might be a hit in the U.S. or China, and vice versa. I embrace different cultures because it opens my mind. Music works in the same way. I’ve learned a lot from the talented people I worked with. I want to take everything for my own music, but I love playing for others as well. Donner: Could you share your current and upcoming projects with us? Yas: I'm working on my solo album or possibly an EP. I've already written a few tracks, and who knows, the song I performed today might count. As the bassist in Whom Gods Destroy, hopefully, we’ll tour next year. We're planning for the second album as well. Whatever the project is, I just want to keep making music. Donner: Could you share the updates in Japan? Yas: Right now, I'm touring with HYDE from L'Arc-en-Ciel, alongside my own fusion shows. Playing with HYDE has been incredible. We’re good friends. His band plays rock and pop, but now he wants to play metal, which is perfect for me. Growing up listening to L'Arc-en-Ciel, the collaboration feels like a dream come true - he's an idol, a true rockstar. A message to guitar beginners - ‘Just enjoy. Music is a beautiful gift.’ Donner: To conclude our talk, please give some tips for beginners and advanced learners. Yas: For beginners, it's a tough process. You need to love what you're doing, although discipline is necessary. I actually enjoyed the boring chromatic exercises and kept practising them, which helped me reach this level. I listen to various kinds of music and always try to learn. When you hear something new, try to understand it. Even if you may not like it in the end, why don’t you give it a chance? It may resonate with you. Just enjoy. Music is a beautiful gift. Interviewer: Jake Wu Editors: Bingqian Wang, Shicong, Wah-Ming, Jimmy, Jake Wu Photos: Pu Huang, Zhanhua Wang All text and image copyrights belong to Donner.

Interview with Progressive Rock Guitarist Yas: 'Just Enjoy, Music Is Beautiful Gift'

Donner Music proudly introduces the HUSH-X - a groundbreaking new travel guitar that redefines what a portable instrument can be. The HUSH-X delivers the sound, feel and performance of a full-scale solid-body electric in an ultra-compact, travel-friendly design. While able to be packed into a compact carrying case resembling a pool cue bag, the HUSH-X is a full-scale instrument that plays and sounds like a traditional solid body electric guitar. Crafted from resonant mahogany, the HUSH-X features a one-piece neck-through-body design and lightweight removable metal frames that clamp on to provide a leg rest and armrest. This innovative configuration allows the guitar to be quickly assembled and disassembled for effortless travel. But the HUSH-X is far more than just a travel companion. It's a true performer's instrument, equipped with premium components: 25.5" scale length 22 medium frets on an HPL (high-pressure laminate) fingerboard with 403mm radius High-output humbucker (bridge) and Alnico V single-coil (neck) pickups Six-saddle fixed bridge with built-in thumbscrew tuners Concentric master volume/tone knob with passive/active switch 1/8" aux input and headphone output for silent practice Weighing under 5 lbs, the HUSH-X is supremely comfortable and balanced. Yet it delivers bold, dynamic tones that rival conventional solid bodies. The humbucker provides classic rock growl while the single-coil offers glassy Strat-like voices perfect for blues, funk, and more. Experience the freedom of taking your guitar anywhere without compromise. Unleash your music with the HUSH-X.

Donner Music proudly introduces the HUSH-X - a groundbreaking new travel guitar that redefines what a portable instrument can be. The HUSH-X delivers the sound, feel and performance of a full-scale solid-body electric in an ultra-compact, travel-friendly design.
While able to be packed into a compact carrying case resembling a pool cue bag, the HUSH-X is a full-scale instrument that plays and sounds like a traditional solid body electric guitar.
<img style="display: block; margin-left: auto; margin-right: auto;" src="https://cdn.shopify.com/s/files/1/0612/1452/3530/files/01_480x480.jpg?v=1715570740" alt="" data-mce-style="display: block; margin-left: auto; margin-right: auto;" data-mce-src="https://cdn.shopify.com/s/files/1/0612/1452/3530/files/01_480x480.jpg?v=1715570740">
Crafted from resonant mahogany, the HUSH-X features a one-piece neck-through-body design and lightweight removable metal frames that clamp on to provide a leg rest and armrest. This innovative configuration allows the guitar to be quickly assembled and disassembled for effortless travel.
<img src="https://cdn.shopify.com/s/files/1/0612/1452/3530/files/10_480x480.jpg?v=1715570772" alt="" style="display: block; margin-left: auto; margin-right: auto;" data-mce-src="https://cdn.shopify.com/s/files/1/0612/1452/3530/files/10_480x480.jpg?v=1715570772">
But the HUSH-X is far more than just a travel companion. It's a true performer's instrument, equipped with premium components:
<ul class="list-disc pl-8 space-y-2 -mt-1" depth="0" data-mce-fragment="1">
<li class="whitespace-normal break-words" index="0" data-mce-fragment="1">25.5" scale length</li>
<li class="whitespace-normal break-words" index="1" data-mce-fragment="1">22 medium frets on an HPL (high-pressure laminate) fingerboard with 403mm radius</li>
<li class="whitespace-normal break-words" index="2" data-mce-fragment="1">High-output humbucker (bridge) and Alnico V single-coil (neck) pickups</li>
<li class="whitespace-normal break-words" index="3" data-mce-fragment="1">Six-saddle fixed bridge with built-in thumbscrew tuners</li>
<li class="whitespace-normal break-words" index="4" data-mce-fragment="1">Concentric master volume/tone knob with passive/active switch</li>
<li class="whitespace-normal break-words" index="5" data-mce-fragment="1">1/8" aux input and headphone output for silent practice</li>
</ul>
Weighing under 5 lbs, the HUSH-X is supremely comfortable and balanced. Yet it delivers bold, dynamic tones that rival conventional solid bodies. The humbucker provides classic rock growl while the single-coil offers glassy Strat-like voices perfect for blues, funk, and more.
Experience the freedom of taking your guitar anywhere without compromise. Unleash your music with the HUSH-X.

Donner HUSH-X - A Compact Yet Mighty Travel Guitar

[Los Angeles, August 15, 2023] – Chinese musical instrument manufacturer Donner today announced the release of the latest firmware update, V1.1.0, for the Essential B1 Bass Synthesizer, their first analog bassline synthesizer with sequencer. This major update brings a host of exciting new features, enhancements, and bug fixes, making the Essential B1 even more versatile and user-friendly. SONG MODE Unleashes Infinite Creativity With the V1.1.0 firmware update and the introduction of SONG MODE, a powerful feature that extends the sequencer from 16 steps to an astounding 256 steps, users can now chain up to 16 patterns, creating seamless transitions and expanding the possibilities of music creation. The new SONG MODE can be switched automatically or manually using the 16 designated buttons, providing quick access to 16 favorite patterns. “SONG MODE is an outcome after the discussion and feedbacks I had with our users on Gearspace. Simply double tap the PATTERN button to enter the SONG MODE, you can program, choose, and chain up to 16 patterns from the 128 stored patterns.” Says Logan Torres, product manager for the synthesizer product line of Donner, “We are deeply grateful for the valuable feedback from our users, who have continuously driven us to unlock the full potential of the Essential B1 Bass Synthesizer.” Logan added. Other Updates from the V1.1.0 In addition to the groundbreaking SONG MODE, the V1.1.0 firmware update brings several enhancements and bug fixes, ensuring a smoother and more enjoyable user experience. Firmware Version Display Upon power on, the LED screen now displays the firmware version for easy reference. Improved Step Editing The back-lit keypads now indicate the pitch of each step during REC/EDIT mode, facilitating precise adjustments. Streamlined Parameter Adjustment Adjusting OCT, GATE LENGTH, and RATCHET for each step is now faster and more intuitive by holding the corresponding button and pressing the↑/ ↓ buttons. Smart Save Indicator Whenever unsaved changes are present in the sequence, the SAVE button will light up, and when switching patterns without saving, the SAVE button will flash briefly for confirmation. Enhanced Random Note Generator Access The Random Note Generator is now accessible via PLAY/STOP + REC/EDIT, simplifying the process during sequence playback. Improved Clear/Rest Function To clear the pending pattern, use PLAY/STOP + CLEAR/REST instead of PATTERN + CLEAR/REST. To ensure the Essential B1 operates flawlessly, the V1.1.0 update also addresses some minor bugs fixes including fixes for Sequence Edit Glitch and Slide issue. Users can now access to the latest firmware via Donner Control software. For a detailed walkthrough of the new SONG MODE and all the exciting features in the V1.1.0 firmware update, please check out Donnermusic.com. Full media kit here. About Donner Essential B1 Bass Synthesizer Released in 2022, the Donner B1 synthesizer is an excellent option for individuals seeking a versatile and contemporary synthesizer that blends classic features with a user-friendly design. It includes a built-in distortion/saturation feature to infuse diversity into your sounds, along with a tape delay effect that can be toggled using a switch. The synthesizer boasts a 26-note silicon keyboard with colored backlights, as well as a built-in 16-step sequencer offering 128 factory presets and 128 slots for user presets. Additionally, it comes equipped with an arpeggiator featuring a hold function and can also be controlled via MIDI. About Donner Donner is a leading manufacturer of innovative and high-quality music equipment, catering to musicians and music lovers around the world. With a commitment to innovation, craftsmanship, and playability, Donner continues to produce a diverse range of music gear, from synthesizers and effects pedals to guitars and audio interfaces.

[Los Angeles, August 15, 2023] – Chinese musical instrument manufacturer Donner today announced the release of the latest firmware update, V1.1.0, for the <a data-mce-fragment="1" href="https://www.donnermusic.com/buy/b1?utm_source=PR&amp;utm_medium=pressrelease&amp;utm_campaign=B1FWU&amp;utm_id=B1" data-mce-href="https://www.donnermusic.com/buy/b1?utm_source=PR&amp;utm_medium=pressrelease&amp;utm_campaign=B1FWU&amp;utm_id=B1">Essential B1 Bass Synthesizer</a>, their first analog bassline synthesizer with sequencer. This major update brings a host of exciting new features, enhancements, and bug fixes, making the Essential B1 even more versatile and user-friendly.
SONG MODE Unleashes Infinite Creativity
With the V1.1.0 firmware update and the introduction of SONG MODE, a powerful feature that extends the sequencer from 16 steps to an astounding 256 steps, users can now chain up to 16 patterns, creating seamless transitions and expanding the possibilities of music creation. The new SONG MODE can be switched automatically or manually using the 16 designated buttons, providing quick access to 16 favorite patterns.
 
“SONG MODE is an outcome after the discussion and feedbacks I had with our users on <a href="https://gearspace.com/board/electronic-music-instruments-and-electronic-music-production/1379582-donner-b1-analog-bass-synthesizer.html">Gearspace</a>. Simply double tap the PATTERN button to enter the SONG MODE, you can program, choose, and chain up to 16 patterns from the 128 stored patterns.” Says Logan Torres, product manager for the synthesizer product line of Donner, “We are deeply grateful for the valuable feedback from our users, who have continuously driven us to unlock the full potential of the Essential B1 Bass Synthesizer.” Logan added. 
 
Other Updates from the V1.1.0
In addition to the groundbreaking SONG MODE, the V1.1.0 firmware update brings several enhancements and bug fixes, ensuring a smoother and more enjoyable user experience.
<ul>
<li>Firmware Version Display</li>
</ul>
Upon power on, the LED screen now displays the firmware version for easy reference.
<ul>
<li>Improved Step Editing</li>
</ul>
The back-lit keypads now indicate the pitch of each step during REC/EDIT mode, facilitating precise adjustments.
<ul>
<li>Streamlined Parameter Adjustment</li>
</ul>
Adjusting OCT, GATE LENGTH, and RATCHET for each step is now faster and more intuitive by holding the corresponding button and pressing the↑/ ↓ buttons.
<ul>
<li>Smart Save Indicator</li>
</ul>
Whenever unsaved changes are present in the sequence, the SAVE button will light up, and when switching patterns without saving, the SAVE button will flash briefly for confirmation.
<ul>
<li>Enhanced Random Note Generator Access</li>
</ul>
The Random Note Generator is now accessible via PLAY/STOP + REC/EDIT, simplifying the process during sequence playback.
<ul>
<li>Improved Clear/Rest Function</li>
</ul>
To clear the pending pattern, use PLAY/STOP + CLEAR/REST instead of PATTERN + CLEAR/REST.
 
To ensure the Essential B1 operates flawlessly, the V1.1.0 update also addresses some minor bugs fixes including fixes for Sequence Edit Glitch and Slide issue.
 
Users can now access to the latest firmware via Donner Control software. For a detailed walkthrough of the new SONG MODE and all the exciting features in the V1.1.0 firmware update, please check out <a href="https://www.donnermusic.com/support/faq?id=SYNTHESIZERS">Donnermusic.com</a>. Full media kit <a title="B1 Bass Synth media kit" href="https://drive.google.com/drive/folders/1tcyn3EhGo3A8Cy8TLZFmENHynuyMLGhy?usp=drive_link">here</a>. 
 
About Donner Essential B1 Bass Synthesizer
Released in 2022, the Donner B1 synthesizer is an excellent option for individuals seeking a versatile and contemporary synthesizer that blends classic features with a user-friendly design. It includes a built-in distortion/saturation feature to infuse diversity into your sounds, along with a tape delay effect that can be toggled using a switch. The synthesizer boasts a 26-note silicon keyboard with colored backlights, as well as a built-in 16-step sequencer offering 128 factory presets and 128 slots for user presets. Additionally, it comes equipped with an arpeggiator featuring a hold function and can also be controlled via MIDI.
 
About Donner
Donner is a leading manufacturer of innovative and high-quality music equipment, catering to musicians and music lovers around the world. With a commitment to innovation, craftsmanship, and playability, Donner continues to produce a diverse range of music gear, from synthesizers and effects pedals to guitars and audio interfaces.