Donner Music is your best buddy for learning to play music. The app helps you to learn your musical instrument quickly with free HD videos and important tools, like a metronome, a tuner and a music library. You can learn to play the acoustic or electric guitar, the three-string guitar, the digital piano, and an expanding roster of musical instruments. The lessons are taught by experts. Donner Music will help you learn quickly and with the best possible technique.

Donner Music - The app helps you to learn your musical instrument.

News

Ideal for practice on-the-go, the roll-up drum pad features a built-in speaker that samples a real drum, as well as a headphone output for quiet practice NOVEMBER XX, 2022 — LOS ANGELES — Donner, leading manufacturer of innovative and feature-rich musical instruments, has rolled out the new DED-20 Electric Drum Pad. An innovative practice device for drummers on-the-go, the high-performance DED-20 features a built-in speaker that boasts high-quality sound source samples taken from real acoustic drums. Featuring seven drum sounds — including one snare, one crash, one ride, one hi-hat and three toms — the DED-20 also offers 12 demonstration songs and nine accompaniments set up to accommodate the needs of live performance. TAKE YOUR PRACTICE TO NEW HEIGHTS The DED-20’s two stereo speakers deliver powerful, impactful sound that reach the volume level of an electric drum kit and can be adjusted to nine different volume levels, so drummers can easily adjust accordingly to their current volume setting. Crafted from high-quality, soft silicone, players can roll up the pad and carry it with them in a backpack to practice wherever, whenever. The soft silicone construction also reduces noise when drumming. For even quieter practice, the DED-20 supports a 3.5-mm headphone output, so players can practice with headphones. Additionally, a 3-minute-long (180-second) recording function can capture a drummer’s moment of inspiration, enhancing their creative potential. Available standard with a MIDI-out jack and USB MIDI-out jack, drummers can connect the DED-20 to their computer to produce music or play games, as well as connect external speakers for live entertainment. AN ALL-IN-ONE PRACTICE PACK The DED-20 comes complete with one electronic drum pad with mobile power charging support, one power adapter, one USB data cable, one 3.5-mm audio cable, a pair of drumsticks and two drum pedals. With all these accessories included, the DED-20 also makes a great starter pack for kids or adults wanting to learn how to play the drums. DED-20 Key Features: - Built-in speaker boasting high-quality sound source samples taken from a real drum source. - Two stereo speakers delivering the powerful sound that reaches the volume of an electric drum kit and can be adjusted to nine different volume levels. - 3-minute-long recording function to capture in-the-moment musical inspiration. - High-quality soft silicone construction so the pad can be easily rolled up and transported. - 3.5-mm headphone output. - Comes complete with one power adapter, one USB data cable, a pair of drumsticks and two drum pedals. - Free 40 Drum Lessons by Melodics

Ideal for practice on-the-go, the roll-up drum pad features a built-in speaker that samples a real drum, as well as a headphone output for quiet practice
 NOVEMBER XX, 2022 — LOS ANGELES — <a href="http://www.donnermusic.com/">Donner</a>, leading manufacturer of innovative and feature-rich musical instruments, has rolled out the new DED-20 Electric Drum Pad. An innovative practice device for drummers on-the-go, the high-performance DED-20 features a built-in speaker that boasts high-quality sound source samples taken from real acoustic drums. Featuring seven drum sounds — including one snare, one crash, one ride, one hi-hat and three toms — the DED-20 also offers 12 demonstration songs and nine accompaniments set up to accommodate the needs of live performance.
 <img src="https://cdn.shopify.com/s/files/1/0612/1452/3530/files/20220908_3141_480x480.jpg?v=1680170392" alt="" width="714" height="476" style="display: block; margin-left: auto; margin-right: auto;">
<div style="text-align: center;"></div>
TAKE YOUR PRACTICE TO NEW HEIGHTS
The DED-20’s two stereo speakers deliver powerful, impactful sound that reach the volume level of an electric drum kit and can be adjusted to nine different volume levels, so drummers can easily adjust accordingly to their current volume setting.
Crafted from high-quality, soft silicone, players can roll up the pad and carry it with them in a backpack to practice wherever, whenever. The soft silicone construction also reduces noise when drumming. For even quieter practice, the DED-20 supports a 3.5-mm headphone output, so players can practice with headphones.
Additionally, a 3-minute-long (180-second) recording function can capture a drummer’s moment of inspiration, enhancing their creative potential.
Available standard with a MIDI-out jack and USB MIDI-out jack, drummers can connect the DED-20 to their computer to produce music or play games, as well as connect external speakers for live entertainment.
 
AN ALL-IN-ONE PRACTICE PACK
The DED-20 comes complete with one electronic drum pad with mobile power charging support, one power adapter, one USB data cable, one 3.5-mm audio cable, a pair of drumsticks and two drum pedals. With all these accessories included, the DED-20 also makes a great starter pack for kids or adults wanting to learn how to play the drums.
 
DED-20 Key Features: - Built-in speaker boasting high-quality sound source samples taken from a real drum source. - Two stereo speakers delivering the powerful sound that reaches the volume of an electric drum kit and can be adjusted to nine different volume levels. - 3-minute-long recording function to capture in-the-moment musical inspiration. - High-quality soft silicone construction so the pad can be easily rolled up and transported. - 3.5-mm headphone output. - Comes complete with one power adapter, one USB data cable, a pair of drumsticks and two drum pedals.
- Free 40 Drum Lessons by <a href="https://www.donnermusic.com/daws">Melodics</a>

DONNER RELEASES NEW DED-20 ROLL UP ELECTRIC DRUM PAD WITH BUILT-IN SPEAKER

Yas Nomura is a Japanese guitarist based in Los Angeles, who made the leap to United States at the age of 19. Unlike his mother, who was a painter, and his father, who has a passion for singing, Yas charted his own artistic course as a guitarist. After graduating from MI in 2014, Yas embark on his professional career. Yas played guitar and bass in the progressive rock duo The Resonance Project with Lang Zhao. Currently he has toured as a guitarist with HYDE in Japan and the US, Yas is also the bassist of the progressive metal group Whom Gods Destroy. Early in 2024, Yas collaborated with Donner for the first time at the NAMM Show, where he stole the Donner stage shredding like exorcising demons. He then returned to Japan for a tour with HYDE in June. During his stay in Asia, Donner invited Yas to Guangzhou, China, to film a demonstration video for its new electric guitar, DST-700. Yas had visited China twice before, but this time was different. This time, Guangzhou had a glint in its eyes—a promise of suffocating heat, crazy midnight cuisine, and the kind of humidity that clings to your skin like a desperate lover. It was a new experience for him. And in return, Yas offered a brand-new song he had specifically written for this trip. At Mielody Studio, we had the opportunity to sit down with Yas and discuss his thoughts on metal and rock music, his approach to guitar and bass performances, and some invaluable tips on practicing. ‘I really like the Triple Threat. Donner Circle Looper is great too.’ All About Gear Donner: It’s our honor to have you here. I noticed that it’s not your first time to travel to China. How has your trip been so far? Yas: It's been great. You guys are feeding me very well. I've been getting every meal. I skipped lunch today because I want to go full tonight for dinner. I love the food here. Donner: What song did you play just now? Yas: I wanted to write a song for this video and I just wrote it last week. I haven't named it yet. Any suggestions? I take any suggestions for the song. Donner: It’s quite sophisticated and it’s great! Yas: Thanks. Appreciate it. It's hard. I made it a bit too hard. It's a problem, always a problem. Donner: Where do you get your musical inspiration for the song? Why did you want to write this in the very beginning? Yas: I wanted to write an Étude-ish song with which people can practice with a bit of challenge, but I'm trying to make it melodic and musical at them same time. I don't know if it counts as a motive. I was gonna write a song both for this video and my future release. I don't want to write a song just for the video. I want to write something that I actually want to release, otherwise there’s no point. Donner: What gear did you choose for the song? Yas: I used the Triple Threat I demoed about six months ago, and the Blue Drive as a booster, which I tried for the first time yesterday. I used the distortion this time. It also features a phaser and a delay, all of which I demonstrated in a YouTube video recently. There are the chorus, a delay, a reverb and the looper. I didn't use them today but I’ll use them for the master class tomorrow. Donner: You’re one of the very first people to use the Triple Threat. How was it? Yas: It's great! It's light, compact and has a good tone. I like the distortion a lot. It has an interesting combination because the big chorus is usually more popular than the phaser. But I like the choice. It makes Triple Threat different and it’s super reasonable. Donner: Could you tell us about the guitar, DST-700? Yas: It feels great. I considered using two humbuckers in the very beginning. After testing two guitars, I found that it fits the song better. It stands out among the SHH pickup configurations I’ve used. It delivers a good tone. I really like the neck. It fits the hand. It has a locking tuner pack. Donner: How did these setups contribute to your playing? Yas: I didn't do much aside from some EQ. It’s important to have a guitar with a good setup since the song is pretty hard. If it has a huge neck, I can't really use it for songs like this. It might be alright for blues or simpler genres, but personally, it's important to have an easy-to-play guitar with good tones. I always try to avoid too much distortion or gain. I did use both on the Triple Threat and the Blue Drive, but I kept the gain relatively low, around 10 o'clock to make the sound fuller. Donner: You’ve been testing various Donner’s products, including the Triple Threat, the DST series and the Hush series. Which one is your favourite? Yas: I really like the Triple Threat. This looper (Donner Circle Looper) is great too. Donner: You didn’t seem to use this looper at NAMM. Yas: No, I didn’t. I planned to use it but ended up hiring the band. You can save about 99 loops in the pedal. Record them, bring them back and play at any time. There’s a drum machine in this pedal, so you can play the beat and then play over it. Of course, you can dub the loops by adding more sounds to the loop you made. If you're into loopers, it’s perfect to create your music with it. Editor's Note: Donner Circle Looper won the Editor's Choice Gold Award in Guitar World Magazine August 2022 . ‘One of the great things about playing bass in a band is losing the sense of yourself in the music. You’re playing the music.’ Navigating Between Guitarist And Bassist Donner: You’re both a bassist and a guitarist. Which one would you say defines you more? Yas: I'm definitely more of a guitarist because it was my first instrument and I’ve been playing it for years. I started playing guitar at 14. When I was in music high school, a bass player friend let me borrow his bass, a super beginner one. I didn’t play it much but I liked it a lot. Later I moved to L. A and I set bass aside for a while. I've always admired bassists, especially fusion artists, like Gary Willis, Jimmy Johnson and Adrian Farrell. I kind of wanted to stop to play bass. My bass player friends let me play their bass. I decided to have my own. That was the start. I bought my first bass in 2014, before my graduation from MI. It's been over 10 years. I love playing bass but I guess guitar is more of my thing. Donner: Do you approach them with different mindsets? Yas: I play them with quite different mindsets. You can play guitar or bass solo, but I came from a metal and rock background where guitar solos are more common. When you play guitar, it sounds like in the front, right in your face. Bass, on the other hand, often sits in the back, especially in metal and rock, supporting the whole band. Many people don't even know what bass is, which is pretty messed up. It’s a fact. But if the bass player screws up, it can throw off the entire song and band. One of the great things about playing bass in a band is losing the sense of yourself in the music. You’re playing the music. When you're truly locked in, you’re playing everything on the bass. I don't get this feeling on guitar. Playing guitar feels like playing on top of the drummer and the bass player. With bass, you control the groove and the harmony. If the bass changes, everything changes. That's what I find fascinating about bass. I love playing guitar myself and playing bass in a band. You’ll have one of the best things ever if you’re the bassist in a good band. ‘Listen to yourself, make sure your hands are synchronous, and try to make the cleanest tone possible.’ Tips On Guitar Practice Donner: How do you usually arrange your practice? Yas: I don't have a routine anymore. I used to focus on finger exercises, especially on chromatic ones. I could play it right now if you want me to. These are the most basic chromatic exercises, but the important thing is: you listen to yourself. Try to make the cleanest tone. If your hands are not synchronized, which means that you pick the note like this (playing) or you fret the note on the left hand, it's not gonna sound clean (playing). You make sure both hands are synced (playing), and then it's clean (playing). I did more than the basic ones, but here’s the key: listen to yourself, make sure your hands are synchronous, and try to make the cleanest tone possible. You shouldn't play fast if it's not the case. You have to play slow enough to make your sound clean. That's a piece of advice I could give to the future musicians or guitar players. Donner: What techniques do you think a guitarist must master? Yas: You don't have to play fast, but you need to be able to play you what you want to play. Speed is not your goal, expression is. It explains why some musicians need insane chops - speed is part of the expression. Shreddy lines can enhance music when done right, but playing random notes fast without even cleanness makes no sense. Timing and touch are the most important. Fast playing without proper timing or rhythm sounds off. Good touch comes with good timing. It’s hard to explain what’s a good touch but you’ll figure it out after listening to various great players. The priority is to make everything clean though. It also applies to the timing. At first, you need to play to a metronome and make it consistent. It's impossible to explain everything here, but these are the foundations. ‘Then there came Dream Theater, which blew my mind.The concept is so deep, like the progressive music, way ahead of their time.’ Develop Unique Guitar Style Donner: How do you make your playing or improvisations unique and make the audience recognise you? Yas: I don't even know if people can recognise me. I'm just playing it. I can recognise other musicians with striking features. But I think when I recognise, for example, John Petrucci and Mateus Asato. It's the mixture of touch, tone, lines and even composition that tells musicians apart. The touch is a combination of the voice, the phrasing, the punctuation, etc. You may have to change your touch based on the tone to achieve the best sound. For instance, if you're using heavy distortion, a light touch might not work well, and vice versa. The relationship between touch and tone is complex but fascinating. In addition, some artists have instantly recognisable lines, like Steven Toronto and my friend Colin Cook. It's hard to develop your own distinctive lines though. For me, touch, tone, and lines are the primary factors. Feel and timing are integral components of touch. Donner: I know you are into different genres of music, including progressive work and fusion. Which genre of music or artist has influenced you the most? Yas: Dream Theater and the fusion artists. Dream Theater has probably been my biggest influence. I listened to a lot of 80s bands like Rockman Extreme, Whitesnake, Def Leppard, Van Halen, and Metallica before discovering it. I was also drawn to melodic death metal bands such as Arch Enemy and Children of Bodom. Then there came Dream Theater, which blew my mind. The concept is so deep, like the progressive music, way ahead of their time. Back in the days when I was in high school, I thought progressive music in general was crazy. You need to have a deep understanding of music to create it. Dream Theater has its movie-soundtrack-alike metal. I always liked the orchestra or film scores, but I didn’t realise Dream Theater was super dramatic and technical. When you're a teenager, of course, you want to work on it. Then I started to listen to fusion musicians like Pat Metheny and Holdsworth. Donner: Dream Theater’s releasing a new album? Yas: yes, Mike Portnoy is back. I'm super excited. I know it's crazy. Donner: What are you looking for when you listen to their music? Yas: When I listened to the music, I didn’t try to think about anything. Just take it and feel it. As I grew older and learned more about music, I began to analyze chords, corporations, and riffs more. I pay attention to the melody when there's a singer in the band. The vocals and the melody are the song. Lately, I've been focused on what makes a great melody, which I find personally challenging. It's easier for me to write riffs, but a good melody is much more elusive. Sometimes what I think is good doesn’t resonate with others, and vice versa. I take it as a challenge. I want to master good melodies, but it's hard and I haven’t sorted it out. I’ve found some theories like motifs in the melody, but they’re not applicable in every case. Music is interesting. 'I embrace different cultures because it opens my mind. Music works in the same way. I’ve learned a lot from the talented people I worked with. I want to take everything for my own music, but I love playing for others as well.' Collaboration and Compromise In Clash Of Ideas Donner: What are the differences between playing solo and accompanying others? How do you like them? Yas: When I play solo, I focus on what I personally find compelling or enjoyable. I try to keep it melodic and musical at the same time because a bunch of inharmonious notes simply don’t work. There’s the balance: I'm trying to create MUSIC that satisfies ME. In the band, I’ll compromise with my bandmates to ensure everyone is happy with the music. When I play for other artists, they’re the boss. I may give suggestions, but they make decisions. I'm not offended if they don't take my suggestions - it's part of my job to offer suggestions since I've been doing music all the time. I want to point out the problem or put forward my ideas. It’s my music, not necessarily liked by others, so I usually follow them. Some people don’t like such collaborations, but I see it as an opportunity to learn from other artists. They bring different perspectives, influenced by diverse genres, backgrounds, and cultures. What may not work in Japan might be a hit in the U.S. or China, and vice versa. I embrace different cultures because it opens my mind. Music works in the same way. I’ve learned a lot from the talented people I worked with. I want to take everything for my own music, but I love playing for others as well. Donner: Could you share your current and upcoming projects with us? Yas: I'm working on my solo album or possibly an EP. I've already written a few tracks, and who knows, the song I performed today might count. As the bassist in Whom Gods Destroy, hopefully, we’ll tour next year. We're planning for the second album as well. Whatever the project is, I just want to keep making music. Donner: Could you share the updates in Japan? Yas: Right now, I'm touring with HYDE from L'Arc-en-Ciel, alongside my own fusion shows. Playing with HYDE has been incredible. We’re good friends. His band plays rock and pop, but now he wants to play metal, which is perfect for me. Growing up listening to L'Arc-en-Ciel, the collaboration feels like a dream come true - he's an idol, a true rockstar. A message to guitar beginners - ‘Just enjoy. Music is a beautiful gift.’ Donner: To conclude our talk, please give some tips for beginners and advanced learners. Yas: For beginners, it's a tough process. You need to love what you're doing, although discipline is necessary. I actually enjoyed the boring chromatic exercises and kept practising them, which helped me reach this level. I listen to various kinds of music and always try to learn. When you hear something new, try to understand it. Even if you may not like it in the end, why don’t you give it a chance? It may resonate with you. Just enjoy. Music is a beautiful gift. Interviewer: Jake Wu Editors: Bingqian Wang, Shicong, Wah-Ming, Jimmy, Jake Wu Photos: Pu Huang, Zhanhua Wang All text and image copyrights belong to Donner.

Interview with Progressive Rock Guitarist Yas: 'Just Enjoy, Music Is Beautiful Gift'

The new MIDI keyboard features Intelligent Dynamic Scale Mode and Real-Time Multi-Mode Control to make it easier than ever for users to arrange music OCTOBER 17, 2022 — LOS ANGELES — Donner, leading manufacturer of innovative and feature-rich musical instruments, has launched the DMK-25 PRO, an innovative portable MIDI keyboard ideal for music creators of all genres. Supporting a large variety of popular DAWs in the market, the DMK-25 PRO provides users with a complete music production experience, while also streamlining their workflow. Features such as Intelligent Dynamic Scale Mode and Real-Time Multi-Mode Control make it easier than ever for users to arrange their music, and the included 16 modal scales - let players transition seamlessly between different musical genres, generating an infinite amount of creative possibilities. Other convenient functions, such as arpeggio, note-repeat, and chord functions, are easily manageable for even a novice creator. LET THE CREATIVITY FLOWFeaturing a portable and lightweight design, the DMK-25 PRO fits easily into a backpack, allowing users to carrying the MIDI keyboard to a café, studio, park or wherever inspiration may strike. A variety of DAW and USB bus-powered features add to the unit’s versatility — making it plug and play ready. The DMK-25 PRO MIDI keyboard features four innovative wheels, six transport controllers, two touch strips with light scale for pitch bend and modulation, as well as a high-definition OLED screen display, which provides great visual control. A straightforward panel design makes it easy to find and view functions in real-time, making arranging a breeze. Velocity-sensitive keys and eight velocity-sensitive pads are ultra-responsive, creating four exquisite touch-sensitive curves. CUBASE & MELODICS MUSIC EDUCATION APP BUNDLESAs part of Donner’s commitment to providing entry-level musicians with enjoyable and innovative musical instruments, the company has partnered with some of the leading DAWs in the music industry to offer musicians a complete starter pack. The DMK-25 PRO is now available as a bundle with three Steinberg DAWs, including Cubase LE, which is derived from legendary Cubase software line, WaveLab LE, for mastering, and Cubasis LE, the iOS version of Cubase LE. Customers of the following Donner’s devices are eligible for the full bundle of Steinberg software: DMK-25 PRO MIDI Keyboard Controller STARRYPAD Pad Controller STARRYKEY25 MIDI Keyboard Controller STARRYKEY37 MIDI Keyboard Controller N-25 MIDI Keyboard Controller N-32 MIDI Keyboard Controller Explore a new way to learn and practice keys with Donner DMK-25 Pro and Melodics educational app. Donner has also partnered with Melodics, who offers a new way to learn and practice MIDI keyboard every day. Melodics will provide Donner customers with 40 free lessons and one beginner course with the purchase of the DMK-25 PRO. This is also available for all Donner MIDI keyboard, pad controller and e-drum customers, which means customers will get totally 120 free lessons and 3 beginner courses for each instrument they buy from Donner. Free DACs of Steinberg software and the Melodics course codes are now available via Donner’s Customer Service. Donner DMK 25-Pro Specifications: Number of Keys: 25 Key Size: Mini Controls: Pitch bend and modulation touch strips, 8 backlit pads, 4 assignable knobs, 4 assignable sliders, 8 function buttons, 6 transport buttons, OLED display for visual feedback Connectivity: USB Type-C, 3.5MM Jack MIDI out Dimension: 337X183X26 MM Weight: 0.68kg The DMK-25 Pro is now available at MSRP $109 on Donner Music and US Amazon Storefront.

The new MIDI keyboard features Intelligent Dynamic Scale Mode and Real-Time Multi-Mode Control to make it easier than ever for users to arrange music
 OCTOBER 17, 2022 — LOS ANGELES — <a href="http://www.donnermusic.com/">Donner</a>, leading manufacturer of innovative and feature-rich musical instruments, has launched the DMK-25 PRO, an innovative portable MIDI keyboard ideal for music creators of all genres. Supporting a large variety of popular DAWs in the market, the DMK-25 PRO provides users with a complete music production experience, while also streamlining their workflow.
Features such as Intelligent Dynamic Scale Mode and Real-Time Multi-Mode Control make it easier than ever for users to arrange their music, and the included 16 modal scales - let players transition seamlessly between different musical genres, generating an infinite amount of creative possibilities. Other convenient functions, such as arpeggio, note-repeat, and chord functions, are easily manageable for even a novice creator. 
LET THE CREATIVITY FLOW Featuring a portable and lightweight design, the DMK-25 PRO fits easily into a backpack, allowing users to carrying the MIDI keyboard to a café, studio, park or wherever inspiration may strike. A variety of DAW and USB bus-powered features add to the unit’s versatility — making it plug and play ready.
The DMK-25 PRO MIDI keyboard features four innovative wheels, six transport controllers, two touch strips with light scale for pitch bend and modulation, as well as a high-definition OLED screen display, which provides great visual control. A straightforward panel design makes it easy to find and view functions in real-time, making arranging a breeze.
Velocity-sensitive keys and eight velocity-sensitive pads are ultra-responsive, creating four exquisite touch-sensitive curves.
 
CUBASE &amp; MELODICS MUSIC EDUCATION APP BUNDLES As part of Donner’s commitment to providing entry-level musicians with enjoyable and innovative musical instruments, the company has partnered with some of the leading DAWs in the music industry to offer musicians a complete starter pack.
The DMK-25 PRO is now available as a bundle with three <a href="https://www.steinberg.net/" target="_blank" rel="noopener noreferrer">Steinberg</a> DAWs, including Cubase LE, which is derived from legendary Cubase software line, WaveLab LE, for mastering, and Cubasis LE, the iOS version of Cubase LE. Customers of the following Donner’s devices are eligible for the full bundle of Steinberg software: 
 
DMK-25 PRO MIDI Keyboard Controller
STARRYPAD Pad Controller
STARRYKEY25 MIDI Keyboard Controller
STARRYKEY37 MIDI Keyboard Controller
N-25 MIDI Keyboard Controller
N-32 MIDI Keyboard Controller
 
 <img src="https://uc2f970a0974de52b9a5347f0429.previews.dropboxusercontent.com/p/thumb/ABs9lwv7CcrTJ-_xfZOTpLj7MGlJjGxPu7-mfFCoKb9EpZ6NL8Q-8FCEAIjeCC_o7MfHB3KA4_rZide0nyuq_fmfcROvm-UKFVxqYNNoN5TWZtF_CLwkFOIbdcqvNnO790SCJMyv-xZnR8WINClIJfo7HnbFGfWKQU_KWxQ3uGaSv_2VWRxJ5d33azFHlpLx1qQF4cg7X3Z08R-Q0nf32eGBmw4G4i8MLPNbSHpzII09fXkAj-goVSpk54Q0uNhd24IzhWlPCnEk95Xd6IFKNYPjWyRHsd_8_6XFnHUwM65qaCiBR-2JhOLz-WR7IIQNhfeQdKHqUFkwE1B6uU41FLdAk74bewgszfp10eR613WokXOPFOZ3e8N-QU-n4EWU6inhH_SkFk3gO-5GnjDLMDiZ/p.png">
Explore a new way to learn and practice keys with Donner DMK-25 Pro and Melodics educational app.
 
Donner has also partnered with <a href="https://www.melodics.com/partners/donner" target="_blank" rel="noopener noreferrer">Melodics</a>, who offers a new way to learn and practice MIDI keyboard every day. Melodics will provide Donner customers with 40 free lessons and one beginner course with the purchase of the DMK-25 PRO. This is also available for all Donner MIDI keyboard, pad controller and e-drum customers, which means customers will get totally 120 free lessons and 3 beginner courses for each instrument they buy from Donner.
 
Free DACs of Steinberg software and the Melodics course codes are now available via Donner’s Customer Service.  
 
Donner DMK 25-Pro Specifications: 
Number of Keys: 25
Key Size:   Mini
Controls:   Pitch bend and modulation touch strips,
8 backlit pads, 4 assignable knobs,
4 assignable sliders, 8 function buttons, 6 transport buttons,
OLED display for visual feedback  
Connectivity:   USB Type-C, 3.5MM Jack MIDI out
Dimension: 337X183X26 MM
Weight: 0.68kg
 
The DMK-25 Pro is now available at MSRP $109 on <a href="https://www.donnermusic.com/products/dmk25?tag=prarticle">Donner Music</a> and <a href="https://www.amazon.com/Controller-Personalized-Donner-DMK25-Intelligent/dp/B0B6TT92CN?maas=maas_adg_43E140BB67C0669F700670BC7167F7CE_afap_abs&amp;ref_=aa_maas&amp;tag=maas%0A">US Amazon Storefront</a>.

DONNER ANNOUNCES DMK-25 PRO MIDI KEYBOARD CONTROLLER

GEAR REVIEW

Simon Morgan from KillerGuitarRigs has done a detailed review of the Donner DST-400 from appearance, features, controls, performance and sound. Simon says: "We were once again impressed by the quality of the fit and finish. It arrived in a well protected box, and every component of the guitar was individually padded with Styrofoam to ensure safety during shipping. It even came wrapped up in a (lightly) padded gig bag." Donner DST-400 is the flagship model in Donner's DST lineup. Donner did provide Killerguitarrigs' editorial team with a guitar for this review, but all thoughts and opinions of the guitar are their own. Head to KillerGuitarRigs to see the full review.

<div class="single-title-above"><header class="entry-header"></header></div>
<div class="featured-image" itemprop="image" itemtype="http://schema.org/ImageObject"><img width="800" height="445" src="https://x4s4i6v2.rocketcdn.me/wp-content/uploads/2022/07/Donner-DST-400-Review-800x445.png" class="attachment-colormag-featured-image size-colormag-featured-image wp-post-image entered lazyloaded" alt="Donner DST-400 Review" data-lazy-srcset="https://x4s4i6v2.rocketcdn.me/wp-content/uploads/2022/07/Donner-DST-400-Review.png 800w, https://x4s4i6v2.rocketcdn.me/wp-content/uploads/2022/07/Donner-DST-400-Review-300x167.png 300w, https://x4s4i6v2.rocketcdn.me/wp-content/uploads/2022/07/Donner-DST-400-Review-768x427.png 768w" data-lazy-sizes="(max-width: 800px) 100vw, 800px" data-lazy-src="https://x4s4i6v2.rocketcdn.me/wp-content/uploads/2022/07/Donner-DST-400-Review-800x445.png" data-ll-status="loaded" sizes="(max-width: 800px) 100vw, 800px" srcset="https://x4s4i6v2.rocketcdn.me/wp-content/uploads/2022/07/Donner-DST-400-Review.png 800w, https://x4s4i6v2.rocketcdn.me/wp-content/uploads/2022/07/Donner-DST-400-Review-300x167.png 300w, https://x4s4i6v2.rocketcdn.me/wp-content/uploads/2022/07/Donner-DST-400-Review-768x427.png 768w"></div>
<div class="article-content clearfix">
<div class="entry-content clearfix" itemprop="articleBody" data-content-ads-inserted="true" data-slot-rendered-dynamic="true">
 
Simon Morgan from <a href="https://killerguitarrigs.com/donner-dst-400-review/" target="_blank" rel="noopener noreferrer">KillerGuitarRigs </a>has done a detailed review of the Donner DST-400 from appearance, features, controls, performance and sound. 
Simon says:
"We were once again impressed by the quality of the fit and finish. It arrived in a well protected box, and every component of the guitar was individually padded with Styrofoam to ensure safety during shipping. It even came wrapped up in a (lightly) padded gig bag."
<a href="https://www.amazon.com/Donner-Electric-Guitar-Stratocaster-Beginner/dp/B095LTLD3T?&amp;linkCode=ll1&amp;tag=kgitrig-20&amp;linkId=5894d3994bff29581d970fdff75e7f17&amp;language=es_US&amp;ref_=as_li_ss_tl" target="_blank" rel="sponsored nofollow noopener noreferrer" data-geniuslink="//buy.geni.us/Proxy.ashx?TSID=127825&amp;GR_URL=https%3A%2F%2Fwww.amazon.com%2FDonner-Electric-Guitar-Stratocaster-Beginner%2Fdp%2FB095LTLD3T%3F%26linkCode%3Dll1%26tag%3Dkgitrig-20%26linkId%3D5894d3994bff29581d970fdff75e7f17%26language%3Des_US%26ref_%3Das_li_ss_tl&amp;dtb=1">Donner DST-400</a> is the flagship model in Donner's DST lineup. Donner did provide Killerguitarrigs' editorial team with a guitar for this review, but all thoughts and opinions of the guitar are their own.
<h2></h2>
Head to <a href="https://killerguitarrigs.com/donner-dst-400-review/" target="_blank" title="donner-dst-400-review" rel="noopener noreferrer">KillerGuitarRigs</a> to see the full review. 
 
<h2></h2>
</div>
</div>